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| Director
: |
Geoffrey Sax |
| Starring
: |
Michael Keaton, Deborah Kara
Unger, Ian McNeice
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| The plot of
White Noise |
John
Rivers (Keaton) is contacted by his murdered wife
via Electric Voice Phenomena, an abnormality that
attracts the attention of scientific specialists.
Rivers, meanwhile, works to discover the people
behind his wife's death. |
| White Noise
Movie Review |
Reviewed by
Radio Free Entertainment :
People have always searched for a way to communicate
with the other side--fascinated, motivated, driven to
find a way to connect with loved ones who have passed
on.Electronic Voice Phenomenon (EVP) is the process
through which the dead communicate with the living through
household recording devices. These extraordinary recordings--captured
by people all over the world, in their homes, with a
simple tape or video recorder--seem to confirm what
many of us have dared to believe: it is possible for
the dead to communicate with us.
more..
Review By themovieboy
:
Kudos should go right away to Universal Pictures
for concocting a bang-up advertising campaign for "White
Noise." The trailers and television spots do not
give much of anything away concerning the plot, all
the while using allegedly real EVP recordings to introduce
the viewer to the supernatural subject in which the
film is about. The result is one of the creepiest, most
skin-crawling trailers in some time. If there is a flaw
in the ad campaign, however, it is in its pretentious
claim that the movie is one of the most disturbing ever
made. Any film that is advertised in such a high-and-mighty
fashion is (1) destined to disappoint, and (2) a sign
of studio desperation. More..
Reviewed by Cynthia Fuchs :
White Noise is about watching static. Not just any static,
but static through which dead people chatter at living
people. In order to enlist your interest in this enterprise,
which, even for its basis in real experiences, as emphasized
in the film's promotional materials, it gives you a
central character who wants very much to watch this
static. That would be John Rivers (Michael Keaton),
who starts off the film looking comfortable, and not
particularly interested in static. He and his second
wife, lovely Anna (Chandra West), live in a fabulous,
simultaneously spacious and acutely angled house (he's
an architect in Washington state, she's an "international
author," whatever that means) and share a sincere
affection for one another, as well as for John's son
Mikey (Nicholas Elia), product of a previous marriage,
now living with them. Their morning routine is sweet
and mutually supportive -- he's headed to his huge firm
downtown, she's going to check the cover design for
her latest novel) -- and only briefly interrupted by
Anna's announcement: she's pregnant.
more..
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