 |
| Director
: |
Alexander Witt |
| Starring
: |
Milla Jovovich, Sienna Guillory,
Eric Mabius,
Oded Fehr |
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| The plot of
Resident Evil: Apocalypse |
Having
narrowly escaped the biological disaster within
a secret underground facility known as "The
Hive," elite military operative Alice (Jovovich)
wakes up in the middle of the ravaged Raccoon
City, which has fallen prey to an uncontained
virus. Banding together with her fellow survivors,
Alice must face the terrifying undead, as well
as the evil Umbrella Corporation's new, seemingly
unstoppable creation: Nemesis. |
| Resident Evil:
Apocalypse Movie Review |
John
Wayne was known for his swagger. Clint Eastwood his
squint. Milla Jovovich, if she's known to later generations
at all, will be remembered for those countless scenes
where she woke up naked, disoriented, and incoherent.
Her hair in wavy--never
frizzy--curls she bats away at those that try to touch
her head and hair (always they try to touch her head
and hair!) with a wild, "who took my work laptop—where's
my meth?" eye rolls. Her knees curled up toward
her breasts, some flimsy garment draped around her,
and her feet together and arched like a pinup girl,
she looks for the guy with the cattle prod. That's her
signature.
Milla gets plenty of
chances to use her calling card in the lamentable Resident
Evil: Apocalypse. Milla plays Alice, one of the only
survivors of the first film. She was a special agent
sent into The Hive, an underground test facility where
a virus broke out, causing the dead to reanimate and
act like zombies. The zombies can infect the living
by biting them, which they do only if they're precluded
from eating them.
Alice awakens in this
film (naked, disoriented and incoherent) as the virus
has escaped the confines of the Hive and taken over
Raccoon City above. The Umbrella Corporation, that created
the disease in the first place, as a sort of biotechnical
weapon, seal off the city and evacuate their executives
and scientists. They abandon those not infected, including
a large amount of policemen, special Umbrella agents,
and those that wander the city streets wearing nothing
but hospital sheets (Alice).
One of those left behind
is Jill Valentine (a thief in the game, here a crack
cop) who is handy at dispatching the zombies and does
so ruthlessly and effectively. For the first five minutes
she's the only one who appears to understand what's
going on, or to be the only one who's ever seen a zombie
movie. For the rest of the time, she's pretty much an
idiot. She's played by Sienna Guillory, who does indeed
come across well. She carries the requisite butt-kicking
duties with panache.
Jill attempts to leave
the city with TV reporter Terri Morales (Sandrine Holt),
her buddy on the force, Peyton Wells (Razaaq Adoti),
who has been bitten, and a wise-cracking street-smart
hood named L.J. (Mike Epps, at least enjoyable). They
soon band together with Alice when they're attacked
in a church by brain beasts (I'm sure they have some
name from the game, but I've no idea what it is, and
we're given no further indication where they came from).
Joined by Umbrella agents also left to fend for themselves
they're given the mission to rescue the daughter of
Umbrella's lead scientist, Dr. Ashford (Jared Harris)
and then get out before the whole city is nuked
Frightening moments
pop up in Resident Evil like bad guys on a rookie cop's
urban training course. It's effective but suffers from
diminishing returns. You know the brand of surprise,
you're just unsure what part of the screen it's coming
from. And it keeps happening, again and again, and again.
"Glad we got out of there!" "Rowwwrrr!!!"
Director Alexander Witt,
a director of photography by experience, does know how
to light a dark corridor and he does use the scope of
the full screen. He's probably varied the angles each
zombie, brain beast, mutated child, ravenous dogs, come
from with mathematical precision.
Sadly, he's not deft
at combining the macho first-shooter moments, with the
purportedly scary zombie moments, with the action scenes.
Though there's a lot of shooting, no one acts scared,
or makes a mistake or acts like a human. The live ones
are as unbelievable as the dead ones, maybe more so.
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