 |
| Director
: |
Charles Stone
III |
| Starring
: |
Bernie Mac, Angela Bassett |
|
| The plot of
Mr. 3000 |
Former
baseball star Stan Ross (Mac), thinking that his
3000 career base hits make him a shoo-in for the
Hall of Fame, is shocked to discover that three
of his hits have been disqualified. Now, as a
saggy, egotistical 47-year-old, he must return
to the ballpark, lest he forever be known as Mr.
2997. |
| Mr. 3000 Movie
Review |
Much
like George Clooney in From Dusk Till Dawn Mac transcends
television, supporting roles, even roles where he was
the putative lead, to take center stage, and stay there,
in Mr. 3000.
Directed by Charles
Stone III (Drumline) 3000 will flummox critics who think
that "donut" is just a pastry misspelling
but this film has charm, originality, character, and
realism. Stone delivers once again.
Mac is Stan Ross, an
unlikable, but irrepressible baseball great who is known
as "Mr. 3000" for earning 3000 hits and an
assured place in the Baseball Hall of Fame. Like Pete
Rose or Barry Bonds, Mac is the player you hate to play
against but secretly love to have on your team. He doesn't
respect his teammates, the team he plays for, the Milwaukee
Brewers, nor the game. He loathes the press. Once he
achieves his goal, his 3000th hit, he retires, leaving
his team in the lurch in the race for the pennant.
As the years pass the
sportswriters (who vote players into the Hall of Fame)
forget their animosity against Ross, and focus back
on that stat, 3000 hits. He gets closer and closer to
being voted in. But, as baseball statisticians do the
numbers on Ross it's discovered that a game where Ross
got three hits, but was cancelled due to rain and then
rescheduled, was counted twice. He's actually three
hits shy of 3000. The Brewers, desperate to fill up
the seats in a lackluster season, allow Ross to return.
The game has changed,
however, and so has Ross. He's slower and fatter. The
players are faster and, in the person of T-Rex (Bryan
White), a hotshot who reminds Ross of himself, cockier.
The entrenched manager, Gus Panas (Paul Sorvino) appears
so complacent about the Brewers standing that he says
almost nothing throughout the entire film. What this
could have turned into, unmitigated sap about teamwork
and For Love of the Game never happens. The film, which
has been in development for ages, is a lot like the
game of baseball itself. It has its own pace. It can
call time when it wants to. It doesn't even really expect
you to be paying that close of attention. It isn't the
most dynamic sports film in the world, or the most cerebral,
or the most heartfelt. But, like the game you respect
it for what it is and its own idiosyncratic integrity.
Mac plays Ross straight.
One scene, where Ross sits in front of a TV and takes
in the criticism being lobbed at him by sports casters
and pundits is just brilliant. Ross is the kind of guy
who not only dishes it out, he takes it. He knows its
chickens coming home to roost and he sucks it up, even
though he hates every second of it. Even in the final
games scenes, when everything comes down to it and Mac
could earn a Golden Globe for making Ross turn nice
he doesn't. He's a skirt-chaser who is full of himself
from the first frame to the last in this film. And Mac
is tough. He's funny. He's cocky. He's a presence. He
plays him like a man.
The language is a little
much for a PG-13 movie and parents might want to be
aware that a lot of swearing goes on. But they can balance
it with a tale of a player who finally learns to play
the game of baseball.
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