| Around
the World in 80 Days Movie Review
Around the World in 80 Days is
the best `70s movie Disney ever made in addition to
being the best Jackie Chan movie since Rush Hour (yes,
I defend Rush Hour).
Though it starts out
poorly the film builds a sense of camaraderie and creates
an escalating sense of merriment, erasing the memories
of its blocky start.
80 Days is freely adapted
from the Jules Verne novel and, more accurately, the
1956 film version that Michael Todd Weinsteined to Best
Picture over Giant and The Ten Commandments. The basic
structure is the same as Phileas Fogg (Steve Coogan)
and his assistant Passepartout (Jackie Chan) attempt
to win a bet by racing around the world in 80 days.
One of the new complications is a stolen Jade Buddha,
a totem of Passepartout's village in China (one of the
eventual stops along the way, of course), that Passepartout
swiped from the Bank of England to return to his people.
Some evil warlords and a UK accomplice, Lord Kelvin
(Jim Broadbent, being broad) are trying to stop them
as is an accident-prone constable, Inspector Fix (Ewen
Bremner).
Our heroes' first stop
is France where they crash through a salon, disturbing
the incredibly mediocre work of Monique LaRoche (Cecile
De France, more of her please). She joins the two as
they switch to using a hot air balloon and head to Turkey,
where Monique almost becomes the seventh wife of Prince
Hapi (a giddy, nearly dopey Arnold Schwarzenegger).
They later also run into several other personalities,
a San Francisco derelict (played by Rob Schneider),
Queen Victoria (Kathy Bates) and Orville and Wilbur
Wright (Luke Wilson and Owen Wilson, respectively).
Much like the Wright
brother's famous flight 80 Days does catch some air
and one can't help feeling that if more people had pitched
in with the cameos (the '56 version was surfeited with
them) that the film would have achieved an even greater
lift. The choice to use some cartoon-ish computer graphics
to illustrate the trip (as well as many of the modes
of transportation) must be intentional (or this film
really ran out of money) because they are so garish
and whimsical they seem to come from a straight-to-video
children's movie.
Coogan continues to
be an interesting actor and well worth watching. He
comes out of this without a scratch and somehow fits
into that nether-world of leading man and leading mensch.
He's comic without being particularly funny and portrays
bravery without being particularly courageous. This
probably won't be a compliment to him but he reminded
me of Roddy McDowall.
It's unexpected but
Chan, who was an executive producer on this, keeps his
mugging to a minimum, and one has to give credit where
credit is due to director Frank Coraci (The Waterboy,
The Wedding Singer--hey Adam Sandler, you couldn't carve
out two days for the guy that gave you two of your biggest
hits?).
Also a pleasant surprise
is the film's family-friendly nature. There's no cussing,
no innuendo, no true scary scenes. In short, because
expectations for this film were so incredibly low Around
the World in 80 Days is one of the most pleasant surprises
of the summer.
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